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Interfaces in Polymers, Ceramic and Metal Matrix Composites Elsevier? Hatsuo Ishida? Elsevier? HatsuoIshida? ジャンル別? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Forensic Engineering Appleton & Lange? Kenneth L. Carper? Appleton&Lange? KennethL.Carper? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science? Controlled Interphases in Composite Materials Elsevier Applied Science? Hatsuo Ishida? ElsevierAppliedScience? HatsuoIshida? ジャンル別? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-General? Subjects-Engineering-Materials-Composites? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? 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Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-Nanostructures? Subjects-Science-Physics-Nanostructures? Advances in Creep Design Elsevier? Alastair Ian Smith? A.M. Nicolson? Elsevier? AlastairIanSmith? A.M.Nicolson? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General High Temperature Superconductor Thin Films, Growth Mechanisms, Interfaces, Multilayers Proceedings of Symposium F on High Temperature Superconductor Thin Films Growth Mechanisms, Interfaces, Multilayers of the 1996 E-Mrs Spring (European Materials Research Society Symposia Proceedings) Elsevier Science Ltd? H. U. Habermeier? Michael L. Hitchman? Symposium F on High Temperature Supercon? ElsevierScienceLtd? H.U.Habermeier? MichaelL.Hitchman? SymposiumFonHighTemperatureSupercon? ジャンル別? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-Electrical&Electronics-Semiconductors? Subjects-Engineering-General? 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Advanced Materials for Interconnections Proceedings of Symposium J on Advanced Materials for Interconnections of the 1996 E-Mrs Spring Conference, Strasbourg, France, June 4-7, 1996 (European Materials Research Society Symposia Proceedings) Elsevier Science Ltd? th Gessner? Symposium J on Advanced Materials for In? T. Gessner? J. Torres? G. Crean? ElsevierScienceLtd? thGessner? SymposiumJonAdvancedMaterialsforIn? T.Gessner? J.Torres? G.Crean? ジャンル別? Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-Electrical&Electronics-Circuits? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? 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【Tags Onyuu-P Pinokio-P tD tE tG S】 Original Music title 神曲 English music title Epic Song \ Divine Comedy \ God s Song Romaji music title Shinkyoku \ Shin Kyoku Lyrics written by おにゅうP(Onyuu-P) Music written by おにゅうP(Onyuu-P) Music arranged by ピノキオP (Pinokio-P) Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson)： An epic song? An epic game? They re everywhere; must have been an epic garage sale Perhaps it s as thin a remark as the pages of an epic, But those things are what save me... To a song, to a singer, To an artwork, to a dream I say "worthless" to all creation, And I m saved by what I believe in... An epic video? An epic show? All over the world, there s been an epic epidemic Perhaps they re as numerous as the pages of an epic, But these things are what save me... To the plants, to the deserts, To the air, to the water I say "commonplace" to all creation, And I m saved by what I perceive... Though I may not be like the hero of an epic, And I may not have godly omniscience and omnipotence... Don t say "epic," just say "good"! Now, I want to save someone... And, so... To you, to me; To my dear, to myself I say we re fellows in insignificance I want to be saved, I want to save you... Write a song, sing a song, Make art, have dreams In our teeny little whole of creation, Today, we ll be saved by someone... Romaji lyrics (transliterated by vgboy / vgperson)： Kami-kyoku dato ka kami-geemu dato ka Chimata ni afureru kami no baagen seeru Kami no you ni usui nakami kamoshirenai ga Watashi wa sonna mono de sukuwareru no desu kara Kyoku de attari uta de attari E de dattari yume de attari Kudaranai shinrabanshou Shinjiru mono ni sukuwareru Kami-douga dato ka kami-bangumi dato ka Kono yo ni afureru kami no shukketsu saabisu Kami no you ni usuku chitteku kamoshirenai ga Watashi wa konna mono de sukuwareru no desu kara Kusaki dattari sabaku dattari Taiki dattari minamo dattari Arifureta shinrabanshou Ki ga tsuku mono ni sukuwareru Shinwa no you na eiyuu ni nare ya shinai kedo Zenchi zennou ni nante nare ya shinai kedo GOD janakute GOOD to iware Dareka no sukui ni naritakute Sore wa, sore wa - Anata dattari watashi dattari Kimi dattari boku dattari Tsumaranai yatsura doushi Sukuwaretaishi sukuitai Kyoku tsukuri uta utai E o kaki yume o mite Chippoke na shinrabanshou Kyou mo dareka ni sukuwareru [Onyuu-P, OnyuuP, Pinokio-P, PinokioP, Pinocchio-P, PinocchioP]
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官方公告 特效卡片 分數點數制機制 活動道具 活動歌曲 區域開放 活動獎勵活動限定獎勵 Stage1 Stage2 Stage3 Stage4 Stage5 Stage6 Stage7 兌換處物品 官方公告 ◇◆◇◆◇◆◇◆◇◆◇◆◇◆◇◆◇◆◇◆◇◆◇ 點數任務活動 『/BEGINNING NEXT 新的夢想，再與你一起。』 即將舉辦!! ◇◆◇◆◇◆◇◆◇◆◇◆◇◆◇◆◇◆◇◆◇◆◇ 本活動為點數累計形式與任務形式一體化的活動。 挑戰活動演唱會收集活動點數及活動道具來獲得豪華獎勵吧！ 並且，在累積Pt獎勵中有機會獲得SSR [/BEGINNING NEXT] 服裝的白金i7收集冊喔...？！ 此外，以 /BEGINNING NEXT 為主題設計的Hall擺飾及活動限定徽章等豪華獎勵也請別錯過！ 不僅如此，在活動期間中活動演唱會會掉落【奇娜子麵包】喔！ ■舉辦期間■─────────────── ▼活動維護準備期間 3/22(一) 9 00 ~ 15 59 ▼活動舉辦期間 3/22(一) 16 00 ~ 4/2(五) 15 59 ▼活動結果公布期間 4/2(五) 16 00 ~ 4/9(五) 15 59 ▼兌換處營業期間 3/22(一) 16 00 ~ 5/2(日) 15 59 ※各時間表有可能會變更調整。 ■活動說明■─────────────── 本活動為點數任務型活動。 (1)遊玩活動歌曲來收集點數吧！ 收集點數來獲得【獎勵】吧！ (2)達成任務來開放Stage吧！ 點數累積到了一定的數量時，會發生為了開放下一個Stage而產生的【任務】喔！ 越後面的任務會越困難。 請努力培育團員，突破難關吧！ ※細節請參考活動首頁的『活動說明』。 ■關於獲得Pt■─────────────── 在活動演唱會可以獲得的點數計算方式變更了！ 過去，於各GRADE可以獲得的點數因不同歌曲而不相同。 從本活動開始，將一致化各GRADE可獲得點數。 ※細節請參考活動首頁的『活動說明』。 ■可以使用自動/循環功能、連續演唱會功能■───────────── 在本活動遊玩活動歌曲時， 可以使用自動、循環功能及連續演唱會的功能。 ※在Stage開放的任務無法使用此功能。敬請注意。 ※使用自動及循環功能遊玩時，活動演唱會結果的Combo Bonus並不列入計算。 ※使用自動及循環功能遊玩，需要「布丁飲料」道具。 ※關於自動及循環功能細節請從該功能視窗右上角的「？」來確認。 ■活動加成■─────────────── 下列的服裝具有活動加成效果。 加成效果的細節請確認以下內容。 ▼加成效果詳細 ∙SSR[/BEGINNING NEXT]服裝 團員： 一織／大和／三月／環／壯五／凪／陸 樂／天／龍之介 百／千 悠／透真／巳波／虎於 活動道具獲得數20%UP！／GRADE Pt 獲得量50%UP！ ■其他注意事項■─────────────── ※活動結束後，活動歌曲將不再開放遊玩。 若在活動歌曲遊戲途中，活動時間已經結束，該場歌曲的點數將不列入計算，敬請見諒。 ※活動道具不會自動變換，請務必在兌換處營業期間中兌換完畢。 ※活動結束後兌換處仍會開放一段時間。 可以從【商店】→【獲得活動獎勵】→【移動至兌換處】，兌換該活動的獎勵。 ※活動獎勵中可獲得的限定Hall擺飾及限定服裝等，可能會無告知的復刻，敬請見諒。 特效卡片 獲得道具加成20%、GRADE Pt加成50% - 角色 卡片名 Shout Beat Melody 魅力技能Lv1 特訓 (備) 和泉 一織 [/BEGINNING NEXT] 6605 4059 3562 加分 Combo24次 34% 710 SSR 9次 二階堂 大和 [/BEGINNING NEXT] 4101 3500 6626 MISS轉Perfect 22秒 35% 4秒 SSR 9次 和泉 三月 [/BEGINNING NEXT] 6617 4189 3560 加分 Perfect23次 32% 720 SSR 9次 四葉 環 [/BEGINNING NEXT] 6646 4101 3479 加分 Combo22次 33% 680 SSR 9次 逢坂 壯五 [/BEGINNING NEXT] 3351 6659 4356 BAD轉Perfect Combo20次 39% 3秒 SSR 9次 六彌 凪 [/BEGINNING NEXT] 4040 3571 6645 加分 Perfect22次 34% 670 SSR 9次 七瀨 陸 [/BEGINNING NEXT] 3438 6646 4142 加分 Perfect23次 33% 700 SSR 9次 八乙女 樂 [/BEGINNING NEXT] 6659 4147 3560 BAD轉Perfect Combo22次 40% 3秒 SSR 9次 九条 天 [/BEGINNING NEXT] 3496 6608 4152 BAD轉Perfect Combo19次 38% 3秒 SSR 9次 十 龍之介 [/BEGINNING NEXT] 3564 6566 4103 加分 Perfect21次 31% 680 SSR 9次 百 [/BEGINNING NEXT] 4101 3496 6630 加分 22秒 35% 640 SSR 9次 千 [/BEGINNING NEXT] 3935 3645 6646 加分 Combo23次 33% 700 SSR 9次 亥清 悠 [/BEGINNING NEXT] 3870 3730 6632 加分 Combo22次 30% 750 SSR 9次 狗丸 透真 [/BEGINNING NEXT] 3393 6617 4356 MISS→PERFECT 70% 2次 SSR 9次 棗 巳波 [/BEGINNING NEXT] 6607 4061 3564 縮小 Perfect26次 40% 4秒 1.2倍 SSR 9次 御堂 虎於 [/BEGINNING NEXT] 3686 6684 3996 加分 Perfect25次 36% 700 SSR 9次 分數點數制機制 [+] 展開 GRADE Pt 依照遊玩結束時的GRADE，來獲得相對應的Pt，各GRADE能獲得的Pt如下 GRADE C B A S SS - 120 320 400 800 1000 BONUS系統 遊玩結束後的各項BONUS，可提升獲得的Pt分數獎勵 分數達SS的150%時得到最大Pt，各歌曲所能獲得的Pt不同，得到的Pt算法不明註 自動演唱會時，分數獎勵以0計算 COMBO 除原本COMBO外，受難易度跟GRADE影響，Pt如下(僅紀錄EXPERT難度) COMBO×GRADE C B A S SS 0~49(以0計算) 0 0 0 0 0 50~99(以50計算) 15 22 30 60 75 100~149(以100計算) 21 31 42 84 105 150~199(以150計算) 27 40 54 108 135 200~249(以200計算) 33 49 66 132 165 250~299(以250計算) 39 58 78 156 195 300~FC前(以300計算) 45 67 90 180 225 FULL COMBO 51 76 102 204 255 PERFECT COMBO 60 90 120 240 300 註1 C~SS的比=1 1.5(小數點無條件捨去) 2 4 5 註2 自動演唱會時，COMBO以0計算 團員合計等級 低於100等=0，100等=20，100等之後每50等+20，最多300等+100 特訓MAX 每一位+40，最多三位+120，無法特訓的團員視為無特訓 SSR以上 每一位+10，最多五位+50，包含UR 活動道具 藉由打活動歌曲來獲取以下道具來到兌換處兌換物品吧! 胸飾 手杖 西裝 帽子 活動歌曲 RESTART POiNTER THANK YOU FOR YOUR EVERYTHING! 月光之飾 In the meantime Re-raise Poisonous Gangster 掉落總表預估(EXPERT) 紅字曲為分數獎勵最高的歌曲 曲名 消除 胸飾 手杖 西裝 帽子 合計 RESTART POiNTER 綠 84 45 24 14 167 THANK YOU FOR YOUR EVERYTHING! 紅 63 50 41 20 174 月光之飾 綠 73 58 51 21 203 In the meantime 綠 81 71 34 19 205 Re-raise 紅 70 56 34 17 177 Poisonous Gangster 紅 83 54 38 20 195 區域開放 Stage1、Stage2：3/22 16 00 Stage3、Stage4：3/23 16 00 Stage5、Stage6、Stage7：3/24 16 00 活動獎勵 活動限定獎勵 /BEGINNING NEXT 讓我們一起，再次地新的夢想。 活動徽章（Srage 7 MISSION ALL CLEAR） ⇒效果：計算演唱會成績時分數提高10% 白金i7收集冊[/BEGINNING NEXT] ⇒POINT獎勵（437500Pt、840675Pt） HOME背景（/BEGINNING NEXT） ⇒兌換處獲得 活動限定Hall裝置 ⇒兌換處獲得 每日一旦累積到一定POINT，則會開啟下一個Stage的MISSION或無法繼續獲得POINT。 MISSION進行中不會獲得POINT。 POINT獎勵僅記錄回復道具及稀有道具。 MISSION(任務)分兩種 一次性(一場完成) 累計(分開完成OK) Stage1 MISSION獎勵無 POINT獎勵 POINT 獎勵 2300 奇娜子麵包×20 6500 布丁飲料×10 94700 星石×4 98900 Stage上限 Stage2 MISSION獎勵 任務達成獎勵 星石×2 mission1-1 mission1-2 mission1-3 樂曲 RESTART POiNTER THANK YOU FOR YOUR EVERYTHING! 月光之飾 難易度 EASY以上 EASY以上 EASY以上 MISSION MISS 23次以內 達成等級B COMBO 40以上 獎勵 國王布丁[Shout]×5 國王布丁[Beat]×5 國王布丁[Melody]×5 POINT獎勵 POINT 獎勵 103100 奇娜子麵包×20 107300 布丁飲料×10 136700 Shout Hearts×3 140900 耳機×1 145100 訓練鞋×1 175500 Beat Hearts×3 197500 星石×4 201900 Stage上限 Stage3 MISSION獎勵 任務達成獎勵 星石×2 mission2-1 mission2-2 mission2-3 樂曲 In the meantime Re-raise Poisonous Gangster 難易度 EASY以上 EASY以上 EASY以上 MISSION PERFECT 124次以上 分數51,000達成 MISS 20次以內 獎勵 Shout Soul★×10 Beat Soul★×10 Melody Soul★×10 POINT獎勵 POINT 獎勵 206300 奇娜子麵包×20 211100 布丁飲料×10 225500 Melody Hearts×3 244700 樂譜×1 249500 運動服×1 254300 耳機×1 297500 訓練鞋×1 302300 運動服×1 307100 耳機×1 311900 星石×4 316700 Stage上限 Stage4 MISSION獎勵 任務達成獎勵 星石×10 mission3-1 mission3-2 mission3-3 樂曲 THANK YOU FOR YOUR EVERYTHING! 月光之飾 In the meantime 難易度 NORMAL以上 NORMAL以上 NORMAL以上 MISSION COMBO 119以上 PERFECT 146次以上 分數126,000達成 獎勵 Shout Soul★★×5 Beat Soul★★×5 Melody Soul★★×5 POINT獎勵 POINT 獎勵 321500 奇娜子麵包×20 326500 布丁飲料×10 336500 Shout Hearts×1 346500 Beat Hearts×1 356500 Melody Hearts×1 387100 訓練鞋×1 409500 運動服×1 415100 轉蛋票券×1 420700 耳機×1 437500 白金i7收集冊[/BEGINNING NEXT]×1 443100 Stage上限 Stage5 MISSION獎勵 任務達成獎勵 Idol Soul×7 mission4-1 mission4-2 mission4-3 樂曲 Re-raise Poisonous Gangster RESTART POiNTER 難易度 NORMAL以上 NORMAL以上 NORMAL以上 MISSION MISS 30次以內 達成等級A COMBO 110以上 獎勵 Shout Hearts×5 Beat Hearts×5 Melody Hearts×5 POINT獎勵 POINT 獎勵 448700 奇娜子麵包×20 454300 布丁飲料×10 493500 Beat Hearts×1 504700 轉蛋票券×1 532700 Melody Hearts×1 538300 轉蛋票券×1 543900 訓練鞋×2 566300 運動服×2 571900 星石×5 577500 Stage上限 Stage6 MISSION獎勵 任務達成獎勵 Idol Hearts×2、星石×10 mission5-1 mission5-2 mission5-3 樂曲 月光之飾 In the meantime Re-raise 難易度 HARD以上 HARD以上 HARD以上 MISSION 分數129,000達成 COMBO 215以上 MISS 25次以內 獎勵 Shout Soul★★★×3 Beat Soul★★★×3 Melody Soul★★★×3 POINT獎勵 POINT 獎勵 583100 奇娜子麵包×20 588900 布丁飲料×10 629700 星石×6 652700 耳機×1 664300 Idol Soul×2 670100 Shout Hearts×1 675900 Beat Hearts×1 681700 Melody Hearts×1 687500 轉蛋票券×2 693300 Idol Hearts×1 699100 星石×7 704900 Stage上限 Stage7 MISSION獎勵 任務達成獎勵 星石×10、/BEGINNING NEXT 讓我們一起，再次地新的夢想。 活動徽章×1 mission6-1 mission6-2 mission6-3 樂曲 Poisonous Gangster RESTART POiNTER THANK YOU FOR YOUR EVERYTHING! 難易度 HARD以上 HARD以上 HARD以上 MISSION 達成等級S PERFECT 302次以上 分數202,000達成 獎勵 Shout Hearts×5 Beat Hearts×5 Melody Hearts×5 POINT獎勵 POINT 獎勵 710700 奇娜子麵包×20 840675 白金i7收集冊[/BEGINNING NEXT]×1 後每25000Pt 奇娜子麵包×1 兌換處物品 名稱 所需道具數量 可兌換數 Hall裝置 /BEGINNING NEXT （牆面） - - - 450 1 Hall裝置 /BEGINNING NEXT （地面） - - - 450 1 首頁背景 /BEGINNING NEXT - - - 225 1 體力回復道具 奇娜子麵包 30 - - - 50 體力回復道具 奇娜子麵包 - 30 - - 50 自動演唱會道具 布丁飲料 30 - - - 125 自動演唱會道具 布丁飲料 - - 20 - 125 覺醒道具 Idol Hearts - 405 - - 2 覺醒道具 Shout Hearts - 75 - - 10 覺醒道具 Beat Hearts - 75 - - 10 覺醒道具 Melody Hearts - 75 - - 10 特訓道具 Idol Soul - - 270 - 13 強化道具 [技能強化用]國王布丁 - - - 1050 2 強化道具 國王布丁[Shout 3] - 210 - - 2 強化道具 國王布丁[Beat 3] - 210 - - 2 強化道具 國王布丁[Melody 3] - 210 - - 2 強化道具 國王布丁[Shout 2] 135 - - - 10 強化道具 國王布丁[Beat 2] 135 - - - 10 強化道具 國王布丁[Melody 2] 135 - - - 10 強化道具 國王布丁[Shout] 45 - - - 10 強化道具 國王布丁[Beat] 45 - - - 10 強化道具 國王布丁[Melody] 45 - - - 10 特訓道具 Shout Soul★★★ - - 45 - 2 特訓道具 Beat Soul★★★ - - 45 - 2 特訓道具 Melody Soul★★★ - - 45 - 2 特訓道具 Shout Soul★★ - 45 - - 3 特訓道具 Beat Soul★★ - 45 - - 3 特訓道具 Melody Soul★★ - 45 - - 3 特訓道具 Shout Soul★ 30 - - - 4 特訓道具 Beat Soul★ 30 - - - 4 特訓道具 Melody Soul★ 30 - - - 4 特訓道具 重降號★★★ - - 45 - 5 特訓道具 升記號★★★ - - 45 - 5 特訓道具 降記號★★★ - - 45 - 5 特訓道具 中弱記號★★★ - - 45 - 5 特訓道具 中強記號★★★ - - 45 - 5 特訓道具 還原記號★★★ - - 45 - 5 特訓道具 重升號★★★ - - 45 - 5 特訓道具 高音譜號★★★ - - 45 - 5 特訓道具 中音譜號★★★ - - 45 - 5 特訓道具 低音譜號★★★ - - 45 - 5 特訓道具 前反覆記號★★★ - - 45 - 5 特訓道具 後反覆記號★★★ - - 45 - 5 特訓道具 延長記號★★★ - - 45 - 5 特訓道具 連續記號★★★ - - 45 - 5 特訓道具 釋放踏板記號★★★ - - 45 - 5 特訓道具 反覆小節記號★★★ - - 45 - 5 特訓道具 重降號★★ - 45 - - 8 特訓道具 升記號★★ - 45 - - 8 特訓道具 降記號★★ - 45 - - 8 特訓道具 中弱記號★★ - 45 - - 8 特訓道具 中強記號★★ - 45 - - 8 特訓道具 還原記號★★ - 45 - - 8 特訓道具 重升號★★ - 45 - - 8 特訓道具 高音譜號★★ - 45 - - 8 特訓道具 中音譜號★★ - 45 - - 8 特訓道具 低音譜號★★ - 45 - - 8 特訓道具 前反覆記號★★ - 45 - - 8 特訓道具 後反覆記號★★ - 45 - - 8 特訓道具 延長記號★★ - 45 - - 8 特訓道具 連續記號★★ - 45 - - 8 特訓道具 釋放踏板記號★★ - 45 - - 8 特訓道具 反覆小節記號★★ - 45 - - 8 特訓道具 重降號★ 30 - - - 10 特訓道具 升記號★ 30 - - - 10 特訓道具 降記號★ 30 - - - 10 特訓道具 中弱記號★ 30 - - - 10 特訓道具 中強記號★ 30 - - - 10 特訓道具 還原記號★ 30 - - - 10 特訓道具 重升號★ 30 - - - 10 特訓道具 高音譜號★ 30 - - - 10 特訓道具 中音譜號★ 30 - - - 10 特訓道具 低音譜號★ 30 - - - 10 特訓道具 前反覆記號★ 30 - - - 10 特訓道具 後反覆記號★ 30 - - - 10 特訓道具 延長記號★ 30 - - - 10 特訓道具 連續記號★ 30 - - - 10 特訓道具 釋放踏板記號★ 30 - - - 10 特訓道具 反覆小節記號★ 30 - - - 10 Note道具 耳機 540 - - - 5 Note道具 訓練鞋 540 - - - 5 Note道具 運動服 - 405 - - 5 Note道具 樂譜 - 405 - - 3 總計數量 21,210 15,225 9,880 3,225 2021/4/2 16 00以後可兌換 次數 GOLD×500 60 - - - ∞ GOLD×500 - 45 - - ∞ GOLD×500 - - 30 - ∞ GOLD×500 - - - 15 ∞ 好友pt×10 60 - - - ∞ 好友pt×10 - 45 - - ∞ 好友pt×10 - - 35 - ∞ 好友pt×10 - - - 15 ∞
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各種ポーションの効果 Alchemyスキルで作成できるポーションの効果をまとめています。 ポーションをスタック出来ない物がある場合はTaste Identificationで味見するとスタックできるようになる。スキル値は人間保障で出来る 治療回復系 reflesh potion（スタミナ回復） スタミナが回復します。回復量は下記のとおりです。 なお、装備品のポーション効果＋（0～50％）およびAlchemyスキルによるポーション効果＋（0～30％）が有効です。 種類 効果 reflesh potion[スタミナ回復] キャラクターのスタミナ最大値に対して25％。 greater reflesh potion[スタミナ回復 - 強] キャラクターのスタミナ最大値に対して50％。 heal potion（ヒットポイント回復） ヒットポイントが回復します。一度使うと、一定時間同系統のポーションを使用することができなくなります。 回復量および使用制限時間は下記のとおりです。 なお、装備品のポーション効果＋（0～50％）およびAlchemyスキルによるポーション効果＋（0～30％）が有効です。 種類 効果 制限時間 lesser heal potion[回復 - 弱] 回復量6～8 4秒程度 heal potion[回復] 回復量13～16 8秒程度 greater heal potion[回復 - 強] 回復量20～25 10秒程度 cure potion（解毒） 毒状態から回復しますが、使用するポーションの種類と毒のレベルにより解毒確率が変わります。 なお、装備品のポーション効果＋（0～50％）が有効です。 greater cure potionは、ガーデニングで菌類駆除にも使用できます。 種類 毒レベル Lv1 Lv2 Lv3 Lv4 Lv5 lesser cure potion[解毒 - 弱] 100% 35% 15% 10% 5% cure potion[解毒] 100% 95% 45% 25% 15% greater cure potion[解毒 - 強] 100% 100% 75% 45% 25% agility potion（増強系） 敏捷増強 DEXが一定時間増加します。 増加量および有効時間は下記のとおりです。 なお、装備品のポーション効果＋（0～50％）およびAlchemyスキルによるポーション効果＋（0～30％）が有効です。 種類 効果 有効時間 agility potion[敏捷増強] DEX+10 120秒 greater agility potion[敏捷増強 - 強] DEX+20 120秒 strength potion（筋力増強） STRが一定時間増加します。 増加量および有効時間は下記のとおりです。 なお、装備品のポーション効果＋（0～50％）およびAlchemyスキルによるポーション効果＋（0～30％）が有効です。 種類 効果 有効時間 strength potion[筋力増強] STR+10 120秒 greater strength potion[筋力増強 - 強] STR+20 120秒 Invisibility potion（潜伏薬） ポーションを飲んだあと、一定時間隠れた状態になります。 有効時間はAlchemyスキルにより20～30秒です。 なお、装備品のポーション効果＋（0～50％）およびAlchemyスキルによるポーション効果＋（0～30％）が有効です。 Nightsight Potion（暗視薬） 一定時間、夜目状態となります。 有効時間は20分～40分となっており、UO内の時間に関係しています。 （→UO内の時間について） 毒系 poison potion（毒） poisoningスキルで武器や食料に毒を仕込むことができます。飲むと毒状態となります。 greaterまたはdeadly poison potionは、ガーデニングで害虫駆除にも使用できます。 種類 効果 lesser poison potion[毒 - 弱] レベル1の毒 poison potion[毒] レベル2の毒 greater poison potion[毒 - 強] レベル3の毒 deadly poison potion[毒 - 激] レベル4の毒 Parasitic Poison(寄生毒) poisoningスキルで武器に毒を仕込むときに使用可能です。この毒を与えた敵に隣接した状態で、毒の定時ダメージ時にHPが回復します。 毒のレベルは4相当となっています。 Darkglow Poison（夜光毒） poisoningスキルで武器に毒を仕込むときに使用可能です。この毒を与えた敵への遠距離攻撃のダメージ(定時毒、弓矢、魔法)が増加します。 毒のレベルは3相当となっています。 爆発系 Explosion potion(爆発) 投げて3秒後に爆発し、その周囲の敵にダメージを与えます。 ダメージ量は下記のとおりです。 なお、装備品のポーション効果＋（0～50％）およびAlchemyスキルによるポーション効果＋（0～30％）が有効です。 種類 ダメージ効果 lesser explosion potion[爆発 - 弱] (5～10)＋(0～20)、0～20はAlchemyスキルによるもの explosion potion[爆発] (10～20)＋(0～20)、0～20はAlchemyスキルによるもの greater explosion potion[爆発 - 強] (20～40)＋(0～20)、0～20はAlchemyスキルによるもの Conflagration potion(火炎) 投げた周囲に5×5マスの炎フィールドを10秒間発生させます。一度使うと、30秒同系統のポーションを使用することができなくなります。 ダメージ量は下記のとおりです。 なお、装備品のポーション効果＋（0～50％）およびAlchemyスキルによるポーション効果＋（0～30％）が有効です。 種類 ダメージ効果 conflagration[火炎] (2～4)＋(0～8)、0～8はAlchemyスキルによるもの greater conflagration[火炎 - 強] (4～8)＋(0～8)、0～8はAlchemyスキルによるもの Confusion Blast(混乱) 投げた先を中心として一定範囲にいる敵対象から、受けているターゲットを解除します。(PM効果） 一度使うと、60秒同系統のポーションを使用することができなくなります。 範囲は下記のとおりです。 種類 ダメージ効果 confusion blast[混乱] 半径5マス greater confusion blast[混乱 - 強] 半径7マス コメント 名前
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https://w.atwiki.jp/oper/pages/3127.html
Scena nona Bertrando, Tarabotto in disparte, indi Ormondo (Bertrando, entrata Isabella, va passeggiando concentrato in se stesso ed indica somma agitazione.) Tarabotto (Oh la impressione è fatta, e sembra in bene.) Bertrando No no, morta è Isabella. Questa è Nisa, nipote di Tarabotto. Tarabotto (Oh falla i conti.) Bertrando Or dunque... (Esce Ormondo.) Ormondo Signor, tutto è disposto... Bertrando Intesi. Ascolta. Ebbe in mare Isabella e morte e tomba? Ormondo (esitando) E perché?.. Bertrando (con calore) L’ebbe? Ormondo E’ certo. Bertrando Eppur poc’anzi... (si ritiene dal proseguire) (No, per ora si taccia.) (ad Ormondo)Io vo e t’attendo ove t’imposi in pria. (Quai prova angoscie mai quest’alma mia!) (Parte col seguito.) Scena decima Ormando, Tarabotto in disparte, poi Batone Ormondo Quale inchiesta! qual suo gran turbamento!.. (Esce Batone.) (con un po’ d’agitazione) Vien, Batone mio fido... Tarabotto (Sentiamo adesso questi galantuomini.) Batone Che vuol dir signor mio?.. Ormondo Tu già vedesti Isabella perir!.. Batone Sicuramente. Ma perché il domandate? Ormondo Perché il Duca mi chiese or or lo stesso. Batone Ch’egli avesse veduta la nipote di Tarabotto capo di questi minatori? Ormondo E ciò che serve? Batone Che serve? Questa donna proprio è un pomo spartito colla morta Duchessa. Ormondo (con gran premura) L’hai veduta? Batone E come! Ormondo Che un destino a me nemico tratta salva l’avesse? Batone Oh! cosa dite? Ormondo (prende a sé Batone e gli parla in modo che Tarabotto allunga il collo per sentire, ma inutilmente) Senti. Comando a te rapir costei tosto che si fa notte, e a me condurla. Tarabotto (Non sento niente.) Ormondo A te darò seguaci quai l’uopo esige. Vo’ vedere io stesso sì gran portento. Batone (con apprensione e forte) Ma vederla or ora qui voi potrete senza ch’io stanotte... Ormondo E che?.. Non vo’ consiglio ove possa temere un mio periglio. Tu mi conosci e sai che a me non si contrasta. Servi al comando e basta, né osarmi replicar. Sia l’opra appien compita, o pagherà tua vita un detto sol che possa l’arcano palesar. (parte) Scena undicesima Batone e Tarabotto prima in disparte, e che poi si fa vedere a tempo. Batone (da sé) O pagherà tua vita! Ecco la solita sua bella canzonetta. Tarabotto (Un arcano!.. Stanotte!.. Una minaccia di vita! Ah qui v’è sotto qualche diavolo.) Batone (Che questa Nisa fosse la Duchessa salvata a caso!) Tarabotto Ei va fantasticando tanto più n’ho sospetto.) Batone (Io lo potrei sapere da questo Tarabotto. Egli è un baggiano e cascherà!) Tarabotto L’arcano tentiamo con destrezza ricavar da costui.) (passa dalla sua posizione alla imboccatura d’una cavità) Batone Se scopro la Duchessa corro a dirglielo al Duca sul momento, e in tal guisa va a monte il rapimento.) Tarabotto (fingendo parlare verso l’interno della cavità, e passar indi in casa) Ho inteso. Vado e torno... Batone (a tempo) Oh amico mio... (invitandolo a sé) Tarabotto Vostro buon servitore. Comandate qualche cosa? Batone Sappiate che intesi dire tanto ben di voi, che sono innamorato della vostra persona. Tarabotto O che sorte! Ed io pure quando vi vedo... non vi dico altro. Batone Simpatia sorprendente! Tarabotto Caso straordinario! Batone V’assicuro, che vo’ farvi del ben proprio in affetto. Tarabotto E lo stesso di core a voi prometto. Batone (dopo averlo guardato un momento in aria di compassione) Ma non tutti la pensano per voi come la penso io. Tarabotto (come Batone) Siam nello stesso caso, o signor mio... Batone (incalzando il dialoglo) Dite davvero? Tarabotto Dite la verità? Batone Io qui ho nemici? Tarabotto V’è tra voi chi mi vuol mal? Batone Sono stupito! Tarabotto Resto come un stivale. (Dopo essersi guardati un momento.) Batone (Non lo capisco ben, vediamci chiaro.) Tarabotto (La va da galeotto a marinaro.) Via, s’egli è ver che mi volete bene, ditemi tutto. Batone E tutto dite voi. Tarabotto Ebbene, cominciate, ed io proseguirò. Batone Dunque ascoltate. (parlandogli colla più amichevole confidenza affettuosa) Va taluno mormmorando, che nipote non avete, e che Nisa è un contrabbando che vi deve rovinar. (Tarabotto resta un momento senza parlare guardando Batone, poi dice al medesimo in aria della più grande ingenuità ed affettuosa premura.) Tarabotto Dir intesi che voi siete, pel voler d’un certo tale, un che altrui facendo male deve alfin precipitar. (Si guardano, e prorompono in un scoppio di risa.) Batone Si pon dir più gran sciocchezze? Tarabotto Si pon dir più gran follie! Tarabotto e Batone O che ciarle, che pazzie! Me la rido in verità. (Si dividono, e dicono di sé ) (Questo è un furbo come va.) Batone Pur la cosa è spinta a tanto... (Si riuniscono, e si parlano in aria del più gran segreto.) Tarabotto Pur la crede ognun cotanto... Batone Che si dice che la donna pose il Duca in gran sospetto. Tarabotto Che si dice che di mira già prrendeste un certo oggetto... (Prorompono come sopra.) Batone Ma vedete maldicenze! Tarabotto Ma vedete scioccherie! Tarabotto e Batone O che ciarle! che pazzie! Me la rido in verità. (Ah costui sudar mi fa.) Batone (in aria della più grande importanza) Se per altro fosse vero o qual premio se parlate. Tarabotto Se però siete sincero o che guai che voi scappate! Batone Mi capite... argento ed oro! Tarabotto M’intendete... egli è bastone! Batone Via spiegate... Tarabotto Via parlate... Batone Non so nulla... Tarabotto Non so niente... Batone Dunque son... Tarabotto Castronerie! Tarabotto e Batone O che ciarle, che pazzie! Me la rido in verità! (Sta’ pur duro quanto vuoi, ma capito io t’ho di già.) Scena dodicesima Tarabotto, indi Isabella ch’esce circospetta e guardandosi intorno. Tarabotto E’ deciso. Costoro, in gran sospetto, l’hanno colla Duchessa e questa notte le preparan la festa. Ma ci son io per bacco! Isabella Amico, qui poc’anzi di Batone la voce udir mi parve. Tarabotto E’ vero. Dite, v’ha costui veduta? Isabella Sì, non è molto. Tarabotto Ora ho capito tutto. Isabella Forse sospetta? Tarabotto Sì, non v’inquietate. Nella testa ho un terribile progetto... La notte s’avvicina... Ritorna il Duca... Isabella Io fuggo. Tarabotto Anzi restate. Vo’ che gli raccontiate i casi vostri. Isabella Che pensi? come? Tarabotto Vel dirò. M’è d’uopo che assai lo interessiate. Isabella Eccolo... oh dio! Seco è il tiranno mio... Al vederlo o qual gelo! Tarabotto Coraggio. Isabella Ed in chi mai sperar!.. Tarabotto Nel cielo. Scena tredicesima Detti, Bertrando, Ormondo e seguito (Tarabotto e Isabella s’inchinano. Finché Bertrando parla ad Ormondo, Trabotto parla piano ad Isabella) Bertrando Al nuovo dì col mio fedele Ormondo parlerai sul disegno. Tarabotto Altezza sì. Isabella (Regger mi posso appena.) Bertrando (piano ad Ormondo) (Vedila.) Ormondo (Sorprendente somiglianza!) Tarabotto (Ci siamo intesi.) Isabella (O ciel mi sforzerò!) Bertrando Nisa gentil, voi sempre mesta! Isabella Sempre. Bertrando E perché? Isabella Pel più giusto e fatale timore. Bertrando Timor di che? Isabella Degli uomini. Ormondo (marcatamente e fissando Isabella) Degli uomini! Tarabotto E n’ha ragion. Bertrando Ragione? Tarabotto Aver dovea uno sposo... sì... no... s’è poi ficcato il diavolo di mezzo... e allor... che guai!.. Diglielo tu che meglio lo dirai. Isabella No, ricordar non voglio un tradimento. Bertrando Voi tradita! Isabella Ah nol fossi! Bertrando E chi fu il traditor? Isabella Deh! che chiedete? Bertrando Il Duca ora v’impone far la vostra vicenda a lui presente. Isabella Che chiedete, o signore, a un’innocente! O quale al rammentar l’infausta scena qual tremito mi scuote! Ah che all’idea di lei, ridotta a fatal punto estremo io sudo, agghiaccio, inorridisco e fremo! Mai più tanto possente armi impugnò di morte... la nera fellonia. Della vendetta giurò sull’ara infame odio a virtù; e frattanto la misera innocenza priva di dolce aita invan chiedea pietà sola e tradita. E degg’io la vicenda far nota a voi del più infelice amore? Sì, parlerò, se pur mi regga il core. Al più dolce e caro oggetto io serbava un’alma amante egli ardea d’eguale affetto, ed in noi regnava amor. Quando un fellon m’invola il cor del mio diletto, e abbandonata e sola mi guida a crudo orror. Che palpito crudele, che pena sento al cor! Ah mi consoli almeno chi prova in seno amor. (entra in casa) Scena quattordicesima Bertrando, Tarabotto, Ormondo Bertrando (Son fuor di me! Il mio caso!) (resta assorto in se stesso) Ormondo (La storia mia! affrettiamci tutto a dispor pel rapimento. Io stesso ne veglierò, ché di nessun mi fido.) Tarabotto (Rumina pur.) Ormondo Signor, se ciò vi piace, or men vado a dispor pel nuovo giorno quanto già m’imponeste. Bertrando Va pur. (piano ad Ormondo) (Dimmi, o fedel, non è un portento! L’udisti!..) Ormondo (E che perciò? Quale per lei strana cura, o signor?) (s’inchina al Duca, e dice da sé nel partire) (Perdiam costei.) (parte) (Va facendosi notte) Scena quindicesima Bertrando e Tarabotto (Bertrando resta assorto in sé stesso.) Tarabotto Parmi tutto disposto, e il gran colpo tentiam. Deve egli stesso scoprir l’iniquo. (Altezza... aimè...) (se gli butta ginocchioni) Bertrando Che fai! Alzati. Tarabotto (parlandogli con voce artificiosamente soffocata per non essere inteso dal seguito del Duca) No, se prima non si degna promettermi di defender la povera Nisa nipote mia. Bertrando Come? che dici? Io difesa prometto... (Tarabotto si leva.) Chi ardisci farle offesa? Tarabotto Quel briccone di cui poc’anzi le ho parlato. A sorte ho scoperto che allor che faccia notte qui verrà per tentare non so quale danno contro di lei. Siamo alla notte, ed io, per non spaurirla, nulla le ho detto, ma il periglio è tale... Bertrando Chi è costui? farò ch’ei tremi... Tarabotto Io giuro a vostr’Altezza che se il briccon con arte non si piglia... forza non val. Bertrando Che! Tarabotto L’è così. Di nuovo, Altezza, a lei lo giuro. Bertrando (vivamente) Ebben, vivi sicuro, che qui a difesa sua farò che vegli un tal, per cui punito il tradimento sarà col traditore in sul momento. (parte col seguito) Tarabotto Chi esser può questo tal sennon ei stesso? Andiamo tosto a far uscir di casa per il cortil la povera signora. Poi qui nascosti e stando in attenzione scoprirem l’arti ree di quel briccone. (La scena é oscurissima) Scena ultima Tutti successivamente (Batone, con seguaci armati, uno de’ quali ha un fanale da mano chiuso, e che dentro ha un lume acceso.) Batone Tacita notte oscura deh, fa’ ch’io giunga al segno; e l’opra e’l mio disegno ti prego secondar. (ai seguaci) Amici, voi sapete chi vuol che ciò sia fatto. Or dunque su accostiamoci. (s’accosta alla casa ed ascolta) Qui non si sente un gatto... (S’accosta quello che ha il fanale.) Fa’ chiaro un poco... è aperto... (trova aperta la porta) Ci dà favor la sorte, andiamo a lavorar. (entra co’ suoi seguaci) (Entrato ch’egli è, escono da un viale a canto alla casa Tarabotto e Isabella e passano dall’altra parte ascondendosi dietro l’arbore e la panca. Isabella è vestita con un abito nobile ma dimesso.) Isabella Perché con queste spoglie vestita or mi bramate? Tarabotto Allor che v’ho salvata vestita n’eravate. Isabella Ma dite a quele oggetto? Tarabotto Ve lo dirà l’effetto. Venite e vinceremo non state a dubitar. Isabella Ah ciel vacillo e tremo, non oso più sperar. (si celano) (Esce Bertrando con seguito. Alcuni hanno delle fiaccole smorzate, ed uno ha un fanale come sopra.) Bertrando In quelle cave oscure celiamci o fidi miei. Perché vid’io costei? Perché degg’io tremar? (entra nelle cavità col seguito, con cui si mette in ascolto) Isabella Mi balza il cor dal petto. (piano fra loro) Tarabotto E’ lui, non ve l’ho detto! (Esce Ormondo e parla trovandosi poco distante dal sito ove sta Bertrando in ascolto. Egli è con un seguace solo.) Ormondo (sta pensando) Ch’entrato sia Batone, che il colpo abbia tentato? Bertrando (Ormondo!) Tarabotto (E’ qui il briccone. I sorci vanno in trappola.) Ormondo Men voglio assicurar. (S’avanza verso la casa da cui n’esce Batone co’ suoi.) Batone. Batone Signor mio!.. Ormondo Ebben l’hai tu rapita? Batone Di casa ell’è sparita... Ormondo Non credo se non vedo... (entra co’ seguaci) Batone Entrate... io non ho torto... (Esce a questo punto Bertrando e sorprende Batone.) Ah! Bertrando Taci o tu sei morto! Allor che torna Ormondo fa’ che ragion ti renda perché tal ratto imprenda, ed io sto ad ascoltar. Batone (con gran timore) Signor... sarà... servito... (Oimé!.. che cado... in fosso... Mi vien la febbre addosso... In piè non posso star.) Isabella e Bertrando (O ciel l’angustia mia mi guida a delirar.) Tarabotto (piano a Isabella) (Da brava, forti adesso, non c’è da dubitar.) (Bertrando si rimetta al suo posto.) Batone Coraggio, Batone, ci va la tua pelle. Facciamo il briccone ben chiaro parlar. (Esce Ormondo dalla casa co’ suoi.) Ormondo Che fiera disdetta! Batone Ebbene? Ormondo Non c’è. Batone Ma dite, e perché rapir questa donna. Ormondo O dessa è Isabella già ingrata al mio amore, (Bertrando fa gran motto di sdegno.) o tanto par quella, ch’io debbo tremar. Batone E avete deciso... Ormondo Che mora all’istante.. (Incalzando il dialogo tutti due, e parlando quasi forte, Batone spiega la più gran compiacenza.) Batone Perché non volete... Ormondo Che viva un oggetto... Batone Che della vendetta... Ormondo Mi tolga l’effetto... Batone E al Duca discopra... Ormondo I miei primi inganni... (Esce Bertrando con soldati che hanno accese le fiaccole. S’illumina il teatro.) Bertrando Tu sogni, t’inganni o vil traditor. (Ormondo è disarmato e tolto in mezzo dai soldati.) Bertrando (desolatissimo) Sposa oh dio! sposa ove sei? Fui sedotto e ti perdei!.. S’altro offrirti non poss’io abbi almeno il sangue mio... (per cavare la spada) (Esce Isabella con Tarabotto, e trattengono il Duca.) Isabella e Tarabotto Fermo... fermo... Bertrando (ad Isabella) Tu! chi sei? Isabella Chi nel core come in petto porta quel cui serba affetto. (cava dal seno il ritratto di Bertrando, che va all’eccesso dello sbalordimento ora guardando Isabella, ora il ritratto) Bertrando Tu il ritratto!.. d’Isabella, tu le vesti... Tarabotto (vivamente) E’ quella, è quella, che da me fu un dì trovata sulla spiaggia mezza morta, ch’è per opra mia rinata, che per voi or qui ho risorta, (colla più grande impazienza) che le vesti le ho serbato, che il briccone ho smascherato, che... non basta? Bertrando Dio!.. (per istendere ad Isabella le braccia, ma si ritiene) Ma degno del tuo cor, ah più non sono!.. Isabella Tu m’offrivi il sangue istesso!.. Sei pentito... io ti perdono. (gli stende le braccia, e vi vola Bertrando) Batone (Ora tocca a me il sorbetto!) Tarabotto Viva, viva il vero amor! Bertrando (a Batone) E perché nel rapimento l’opra tua fu all’empio unita? Batone Perché fece a me il saluto «Pagherai colla tua vita!..» (fa un moto d’ira verso Ormondo) Se la vita abbiam perduto non si compra un’altra volta. Onde... Altezze... vedon bene... (s’inginocchia) Grazia a un figlio del timor. Isabella Grazia a lui sia pur concessa. Tarabotto e Batone Benedetta! ognor la stessa! Bertrando (a Tarabotto) Premio degno, o uom virtuoso, già t’appresta il nostro core. Tratto altrove a giusto orrore tosto sia quell’empio cor. (I soldati conducono via Ormondo.) Tutti Presto o tardi il ciel clemente tutti scopre i neri inganni; e corona l’innocente, e punisce il traditor. Scena nona Bertrando, Tarabotto in disparte, indi Ormondo (Bertrando, entrata Isabella, va passeggiando concentrato in se stesso ed indica somma agitazione.) Tarabotto (Oh la impressione è fatta, e sembra in bene.) Bertrando No no, morta è Isabella. Questa è Nisa, nipote di Tarabotto. Tarabotto (Oh falla i conti.) Bertrando Or dunque... (Esce Ormondo.) Ormondo Signor, tutto è disposto... Bertrando Intesi. Ascolta. Ebbe in mare Isabella e morte e tomba? Ormondo (esitando) E perché?.. Bertrando (con calore) L’ebbe? Ormondo E’ certo. Bertrando Eppur poc’anzi... (si ritiene dal proseguire) (No, per ora si taccia.) (ad Ormondo)Io vo e t’attendo ove t’imposi in pria. (Quai prova angoscie mai quest’alma mia!) (Parte col seguito.) Scena decima Ormando, Tarabotto in disparte, poi Batone Ormondo Quale inchiesta! qual suo gran turbamento!.. (Esce Batone.) (con un po’ d’agitazione) Vien, Batone mio fido... Tarabotto (Sentiamo adesso questi galantuomini.) Batone Che vuol dir signor mio?.. Ormondo Tu già vedesti Isabella perir!.. Batone Sicuramente. Ma perché il domandate? Ormondo Perché il Duca mi chiese or or lo stesso. Batone Ch’egli avesse veduta la nipote di Tarabotto capo di questi minatori? Ormondo E ciò che serve? Batone Che serve? Questa donna proprio è un pomo spartito colla morta Duchessa. Ormondo (con gran premura) L’hai veduta? Batone E come! Ormondo Che un destino a me nemico tratta salva l’avesse? Batone Oh! cosa dite? Ormondo (prende a sé Batone e gli parla in modo che Tarabotto allunga il collo per sentire, ma inutilmente) Senti. Comando a te rapir costei tosto che si fa notte, e a me condurla. Tarabotto (Non sento niente.) Ormondo A te darò seguaci quai l’uopo esige. Vo’ vedere io stesso sì gran portento. Batone (con apprensione e forte) Ma vederla or ora qui voi potrete senza ch’io stanotte... Ormondo E che?.. Non vo’ consiglio ove possa temere un mio periglio. Tu mi conosci e sai che a me non si contrasta. Servi al comando e basta, né osarmi replicar. Sia l’opra appien compita, o pagherà tua vita un detto sol che possa l’arcano palesar. (parte) Scena undicesima Batone e Tarabotto prima in disparte, e che poi si fa vedere a tempo. Batone (da sé) O pagherà tua vita! Ecco la solita sua bella canzonetta. Tarabotto (Un arcano!.. Stanotte!.. Una minaccia di vita! Ah qui v’è sotto qualche diavolo.) Batone (Che questa Nisa fosse la Duchessa salvata a caso!) Tarabotto Ei va fantasticando tanto più n’ho sospetto.) Batone (Io lo potrei sapere da questo Tarabotto. Egli è un baggiano e cascherà!) Tarabotto L’arcano tentiamo con destrezza ricavar da costui.) (passa dalla sua posizione alla imboccatura d’una cavità) Batone Se scopro la Duchessa corro a dirglielo al Duca sul momento, e in tal guisa va a monte il rapimento.) Tarabotto (fingendo parlare verso l’interno della cavità, e passar indi in casa) Ho inteso. Vado e torno... Batone (a tempo) Oh amico mio... (invitandolo a sé) Tarabotto Vostro buon servitore. Comandate qualche cosa? Batone Sappiate che intesi dire tanto ben di voi, che sono innamorato della vostra persona. Tarabotto O che sorte! Ed io pure quando vi vedo... non vi dico altro. Batone Simpatia sorprendente! Tarabotto Caso straordinario! Batone V’assicuro, che vo’ farvi del ben proprio in affetto. Tarabotto E lo stesso di core a voi prometto. Batone (dopo averlo guardato un momento in aria di compassione) Ma non tutti la pensano per voi come la penso io. Tarabotto (come Batone) Siam nello stesso caso, o signor mio... Batone (incalzando il dialoglo) Dite davvero? Tarabotto Dite la verità? Batone Io qui ho nemici? Tarabotto V’è tra voi chi mi vuol mal? Batone Sono stupito! Tarabotto Resto come un stivale. (Dopo essersi guardati un momento.) Batone (Non lo capisco ben, vediamci chiaro.) Tarabotto (La va da galeotto a marinaro.) Via, s’egli è ver che mi volete bene, ditemi tutto. Batone E tutto dite voi. Tarabotto Ebbene, cominciate, ed io proseguirò. Batone Dunque ascoltate. (parlandogli colla più amichevole confidenza affettuosa) Va taluno mormmorando, che nipote non avete, e che Nisa è un contrabbando che vi deve rovinar. (Tarabotto resta un momento senza parlare guardando Batone, poi dice al medesimo in aria della più grande ingenuità ed affettuosa premura.) Tarabotto Dir intesi che voi siete, pel voler d’un certo tale, un che altrui facendo male deve alfin precipitar. (Si guardano, e prorompono in un scoppio di risa.) Batone Si pon dir più gran sciocchezze? Tarabotto Si pon dir più gran follie! Tarabotto e Batone O che ciarle, che pazzie! Me la rido in verità. (Si dividono, e dicono di sé ) (Questo è un furbo come va.) Batone Pur la cosa è spinta a tanto... (Si riuniscono, e si parlano in aria del più gran segreto.) Tarabotto Pur la crede ognun cotanto... Batone Che si dice che la donna pose il Duca in gran sospetto. Tarabotto Che si dice che di mira già prrendeste un certo oggetto... (Prorompono come sopra.) Batone Ma vedete maldicenze! Tarabotto Ma vedete scioccherie! Tarabotto e Batone O che ciarle! che pazzie! Me la rido in verità. (Ah costui sudar mi fa.) Batone (in aria della più grande importanza) Se per altro fosse vero o qual premio se parlate. Tarabotto Se però siete sincero o che guai che voi scappate! Batone Mi capite... argento ed oro! Tarabotto M’intendete... egli è bastone! Batone Via spiegate... Tarabotto Via parlate... Batone Non so nulla... Tarabotto Non so niente... Batone Dunque son... Tarabotto Castronerie! Tarabotto e Batone O che ciarle, che pazzie! Me la rido in verità! (Sta’ pur duro quanto vuoi, ma capito io t’ho di già.) Scena dodicesima Tarabotto, indi Isabella ch’esce circospetta e guardandosi intorno. Tarabotto E’ deciso. Costoro, in gran sospetto, l’hanno colla Duchessa e questa notte le preparan la festa. Ma ci son io per bacco! Isabella Amico, qui poc’anzi di Batone la voce udir mi parve. Tarabotto E’ vero. Dite, v’ha costui veduta? Isabella Sì, non è molto. Tarabotto Ora ho capito tutto. Isabella Forse sospetta? Tarabotto Sì, non v’inquietate. Nella testa ho un terribile progetto... La notte s’avvicina... Ritorna il Duca... Isabella Io fuggo. Tarabotto Anzi restate. Vo’ che gli raccontiate i casi vostri. Isabella Che pensi? come? Tarabotto Vel dirò. M’è d’uopo che assai lo interessiate. Isabella Eccolo... oh dio! Seco è il tiranno mio... Al vederlo o qual gelo! Tarabotto Coraggio. Isabella Ed in chi mai sperar!.. Tarabotto Nel cielo. Scena tredicesima Detti, Bertrando, Ormondo e seguito (Tarabotto e Isabella s’inchinano. Finché Bertrando parla ad Ormondo, Trabotto parla piano ad Isabella) Bertrando Al nuovo dì col mio fedele Ormondo parlerai sul disegno. Tarabotto Altezza sì. Isabella (Regger mi posso appena.) Bertrando (piano ad Ormondo) (Vedila.) Ormondo (Sorprendente somiglianza!) Tarabotto (Ci siamo intesi.) Isabella (O ciel mi sforzerò!) Bertrando Nisa gentil, voi sempre mesta! Isabella Sempre. Bertrando E perché? Isabella Pel più giusto e fatale timore. Bertrando Timor di che? Isabella Degli uomini. Ormondo (marcatamente e fissando Isabella) Degli uomini! Tarabotto E n’ha ragion. Bertrando Ragione? Tarabotto Aver dovea uno sposo... sì... no... s’è poi ficcato il diavolo di mezzo... e allor... che guai!.. Diglielo tu che meglio lo dirai. Isabella No, ricordar non voglio un tradimento. Bertrando Voi tradita! Isabella Ah nol fossi! Bertrando E chi fu il traditor? Isabella Deh! che chiedete? Bertrando Il Duca ora v’impone far la vostra vicenda a lui presente. Isabella Che chiedete, o signore, a un’innocente! O quale al rammentar l’infausta scena qual tremito mi scuote! Ah che all’idea di lei, ridotta a fatal punto estremo io sudo, agghiaccio, inorridisco e fremo! Mai più tanto possente armi impugnò di morte... la nera fellonia. Della vendetta giurò sull’ara infame odio a virtù; e frattanto la misera innocenza priva di dolce aita invan chiedea pietà sola e tradita. E degg’io la vicenda far nota a voi del più infelice amore? Sì, parlerò, se pur mi regga il core. Al più dolce e caro oggetto io serbava un’alma amante egli ardea d’eguale affetto, ed in noi regnava amor. Quando un fellon m’invola il cor del mio diletto, e abbandonata e sola mi guida a crudo orror. Che palpito crudele, che pena sento al cor! Ah mi consoli almeno chi prova in seno amor. (entra in casa) Scena quattordicesima Bertrando, Tarabotto, Ormondo Bertrando (Son fuor di me! Il mio caso!) (resta assorto in se stesso) Ormondo (La storia mia! affrettiamci tutto a dispor pel rapimento. Io stesso ne veglierò, ché di nessun mi fido.) Tarabotto (Rumina pur.) Ormondo Signor, se ciò vi piace, or men vado a dispor pel nuovo giorno quanto già m’imponeste. Bertrando Va pur. (piano ad Ormondo) (Dimmi, o fedel, non è un portento! L’udisti!..) Ormondo (E che perciò? Quale per lei strana cura, o signor?) (s’inchina al Duca, e dice da sé nel partire) (Perdiam costei.) (parte) (Va facendosi notte) Scena quindicesima Bertrando e Tarabotto (Bertrando resta assorto in sé stesso.) Tarabotto Parmi tutto disposto, e il gran colpo tentiam. Deve egli stesso scoprir l’iniquo. (Altezza... aimè...) (se gli butta ginocchioni) Bertrando Che fai! Alzati. Tarabotto (parlandogli con voce artificiosamente soffocata per non essere inteso dal seguito del Duca) No, se prima non si degna promettermi di defender la povera Nisa nipote mia. Bertrando Come? che dici? Io difesa prometto... (Tarabotto si leva.) Chi ardisci farle offesa? Tarabotto Quel briccone di cui poc’anzi le ho parlato. A sorte ho scoperto che allor che faccia notte qui verrà per tentare non so quale danno contro di lei. Siamo alla notte, ed io, per non spaurirla, nulla le ho detto, ma il periglio è tale... Bertrando Chi è costui? farò ch’ei tremi... Tarabotto Io giuro a vostr’Altezza che se il briccon con arte non si piglia... forza non val. Bertrando Che! Tarabotto L’è così. Di nuovo, Altezza, a lei lo giuro. Bertrando (vivamente) Ebben, vivi sicuro, che qui a difesa sua farò che vegli un tal, per cui punito il tradimento sarà col traditore in sul momento. (parte col seguito) Tarabotto Chi esser può questo tal sennon ei stesso? Andiamo tosto a far uscir di casa per il cortil la povera signora. Poi qui nascosti e stando in attenzione scoprirem l’arti ree di quel briccone. (La scena é oscurissima) Scena ultima Tutti successivamente (Batone, con seguaci armati, uno de’ quali ha un fanale da mano chiuso, e che dentro ha un lume acceso.) Batone Tacita notte oscura deh, fa’ ch’io giunga al segno; e l’opra e’l mio disegno ti prego secondar. (ai seguaci) Amici, voi sapete chi vuol che ciò sia fatto. Or dunque su accostiamoci. (s’accosta alla casa ed ascolta) Qui non si sente un gatto... (S’accosta quello che ha il fanale.) Fa’ chiaro un poco... è aperto... (trova aperta la porta) Ci dà favor la sorte, andiamo a lavorar. (entra co’ suoi seguaci) (Entrato ch’egli è, escono da un viale a canto alla casa Tarabotto e Isabella e passano dall’altra parte ascondendosi dietro l’arbore e la panca. Isabella è vestita con un abito nobile ma dimesso.) Isabella Perché con queste spoglie vestita or mi bramate? Tarabotto Allor che v’ho salvata vestita n’eravate. Isabella Ma dite a quele oggetto? Tarabotto Ve lo dirà l’effetto. Venite e vinceremo non state a dubitar. Isabella Ah ciel vacillo e tremo, non oso più sperar. (si celano) (Esce Bertrando con seguito. Alcuni hanno delle fiaccole smorzate, ed uno ha un fanale come sopra.) Bertrando In quelle cave oscure celiamci o fidi miei. Perché vid’io costei? Perché degg’io tremar? (entra nelle cavità col seguito, con cui si mette in ascolto) Isabella Mi balza il cor dal petto. (piano fra loro) Tarabotto E’ lui, non ve l’ho detto! (Esce Ormondo e parla trovandosi poco distante dal sito ove sta Bertrando in ascolto. Egli è con un seguace solo.) Ormondo (sta pensando) Ch’entrato sia Batone, che il colpo abbia tentato? Bertrando (Ormondo!) Tarabotto (E’ qui il briccone. I sorci vanno in trappola.) Ormondo Men voglio assicurar. (S’avanza verso la casa da cui n’esce Batone co’ suoi.) Batone. Batone Signor mio!.. Ormondo Ebben l’hai tu rapita? Batone Di casa ell’è sparita... Ormondo Non credo se non vedo... (entra co’ seguaci) Batone Entrate... io non ho torto... (Esce a questo punto Bertrando e sorprende Batone.) Ah! Bertrando Taci o tu sei morto! Allor che torna Ormondo fa’ che ragion ti renda perché tal ratto imprenda, ed io sto ad ascoltar. Batone (con gran timore) Signor... sarà... servito... (Oimé!.. che cado... in fosso... Mi vien la febbre addosso... In piè non posso star.) Isabella e Bertrando (O ciel l’angustia mia mi guida a delirar.) Tarabotto (piano a Isabella) (Da brava, forti adesso, non c’è da dubitar.) (Bertrando si rimetta al suo posto.) Batone Coraggio, Batone, ci va la tua pelle. Facciamo il briccone ben chiaro parlar. (Esce Ormondo dalla casa co’ suoi.) Ormondo Che fiera disdetta! Batone Ebbene? Ormondo Non c’è. Batone Ma dite, e perché rapir questa donna. Ormondo O dessa è Isabella già ingrata al mio amore, (Bertrando fa gran motto di sdegno.) o tanto par quella, ch’io debbo tremar. Batone E avete deciso... Ormondo Che mora all’istante.. (Incalzando il dialogo tutti due, e parlando quasi forte, Batone spiega la più gran compiacenza.) Batone Perché non volete... Ormondo Che viva un oggetto... Batone Che della vendetta... Ormondo Mi tolga l’effetto... Batone E al Duca discopra... Ormondo I miei primi inganni... (Esce Bertrando con soldati che hanno accese le fiaccole. S’illumina il teatro.) Bertrando Tu sogni, t’inganni o vil traditor. (Ormondo è disarmato e tolto in mezzo dai soldati.) Bertrando (desolatissimo) Sposa oh dio! sposa ove sei? Fui sedotto e ti perdei!.. S’altro offrirti non poss’io abbi almeno il sangue mio... (per cavare la spada) (Esce Isabella con Tarabotto, e trattengono il Duca.) Isabella e Tarabotto Fermo... fermo... Bertrando (ad Isabella) Tu! chi sei? Isabella Chi nel core come in petto porta quel cui serba affetto. (cava dal seno il ritratto di Bertrando, che va all’eccesso dello sbalordimento ora guardando Isabella, ora il ritratto) Bertrando Tu il ritratto!.. d’Isabella, tu le vesti... Tarabotto (vivamente) E’ quella, è quella, che da me fu un dì trovata sulla spiaggia mezza morta, ch’è per opra mia rinata, che per voi or qui ho risorta, (colla più grande impazienza) che le vesti le ho serbato, che il briccone ho smascherato, che... non basta? Bertrando Dio!.. (per istendere ad Isabella le braccia, ma si ritiene) Ma degno del tuo cor, ah più non sono!.. Isabella Tu m’offrivi il sangue istesso!.. Sei pentito... io ti perdono. (gli stende le braccia, e vi vola Bertrando) Batone (Ora tocca a me il sorbetto!) Tarabotto Viva, viva il vero amor! Bertrando (a Batone) E perché nel rapimento l’opra tua fu all’empio unita? Batone Perché fece a me il saluto «Pagherai colla tua vita!..» (fa un moto d’ira verso Ormondo) Se la vita abbiam perduto non si compra un’altra volta. Onde... Altezze... vedon bene... (s’inginocchia) Grazia a un figlio del timor. Isabella Grazia a lui sia pur concessa. Tarabotto e Batone Benedetta! ognor la stessa! Bertrando (a Tarabotto) Premio degno, o uom virtuoso, già t’appresta il nostro core. Tratto altrove a giusto orrore tosto sia quell’empio cor. (I soldati conducono via Ormondo.) Tutti Presto o tardi il ciel clemente tutti scopre i neri inganni; e corona l’innocente, e punisce il traditor. Rossini,Gioachino/L inganno felice
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ip_morale|Morale ip_morale_text|Morale represents the ability and willingness of the troops in a party to summon up the endurance, bravery, and discipline they need to face the stresses of battle and the march. It is not the same thing as the troops' happiness. Elite troops may grumble and whine about the hardships of campaigning -- but then stand together as one when the arrows start to fly. On the other hand, a commander who gives his men everything they want may find that they grow soft, and waiver before the enemy's charge.^^Morale's greatest impact is on a party's behaviour in battle, determining how aggressively troops engage the enemy, and how likely they are to break and run if they perceive the tide of battle turning against them. Morale also affects a party's march speed, as a less motivated party will move more slowly, as the men are not pushing themselves to their physical limit, and pause more frequently, as it waits for stragglers to catch up. Finally, a party with very low morale will start to suffer desertions.^^Some factors that affect morale are intuitive. For example, a charismatic commander with a reputation for winning battles can infuse his or her men with a sense of confidence. Leaders who give their men well ample and varied supplies of food, and pay them on time, demonstrate that they care about their troops' welfare, and are less likely to lead them into disaster.^^Other factors are less intuitive -- particularly those related to a party's sense of group cohesion. In a small tight-knit party, for example, men will often fight hard against daunting odds to avoid showing cowardice before their comrades-in-arms. A large party on the other hand may see its cohesion strained, as the commander has less time to supervise the men, listen to their grievances, and resolve their disputes. Frequent battles will strengthen the bonds between men, while long periods without combat will see the troops become bored and quarrelsome.^^The morale report, accessibly by hitting the 'reports' button will give the player a sense of the factors affecting his or her men's morale. ip_economy|Economy ip_economy_text|Towns and villages in Westeros and Essos need a wide variety of goods for their populations to remain healthy and productive. First in importance is food. Grain is the staple crop of Westeros and Essos, but people also need fat and protein in the form of meat, fish, or cheese. It takes almost as much work to preserve meat as to produce it in the first place, so salt is also in high demand. After food comes clothing heavy wool, lighter linens, or luxurious velvet. Finally, people need the tools of their trade ironware, pottery, leather-ware, and, of course, arms, armour, and horses for war.^^Most agricultural products are produced in the villages, while artisans in the towns specialize in manufactured or artisan goods like fabrics or ironware. Also, different resources can be found in different parts of the country. Consequently, the key to prosperity in Westeros and Essos is trade -- both between the villages and the towns, and between the major towns themselves.^^When trade flows, goods will be available and affordable, the population of a centre will be healthy and energetic, and migrants will flock from the nearby regions. The centre will produce more, consume more, and be able to contribute more in taxes to their lords. When trade dries up, towns and villages will see their workers flee to seek work elsewhere, and economic activity will drift to a stand-still. Thus, it is in the interests of rulers to protect trade routes from the hazards of war and banditry. A smart merchant, however, may want to seek out towns which have become isolated from the rest of the land, as he or she may be able to turn a tidy profit from the resulting price imbalances.^^Because villagers usually plan to take their goods to market in towns, village markets will be rather quiet places, and villagers will buy cheap and sell dear. Serious merchants will stick to the towns to make a profit, although some parties may decide to make a quick stop in a village to acquire supplies.^^A player who wants to know about the factors affecting a region's prosperity can speak to the guildmaster of the local town. Other information can be gleaned from passers-by, although they might not know very much outside of their own particular trade. ip_courtship|Courtship ip_courtship_text|You may wish to marry into one of Westeros and Essos' noble families. Marriage is not necessary for someone to rise in power and stature, but it does provide them with an opportunity to improve their relation with lords and establish a claim to the throne.^^Marriage requirements will be different for males and females. A male character will usually need to pursue a traditional path of courtship. He should establish a reputation in aristocratic society, get on good terms with his bride's parents or guardians, and then woo the lady according to local custom. If a player grows impatient, he may attempt to take a short cut -- but there will be consequences in his relations with other lords.^^A male character should keep in mind that other lords will be competing with him for the affections of the kingdom's ladies. Also, a lady's tastes are unpredictable, and a player may also find that the object of his love does not love him in return. Romance, in Westeros and Essos as elsewhere, does not always prosper. Of course, a player may resort to other, less gentlemanly means of winning a lady's heart, but again, that will have a serious impact on his reputation.^^To get started on the path of courtship, a male player should try to get involved in the social life of aristocracy, attending feasts and tournaments. Also, wandering troubadours and poets can serve as a useful repository of information on courtship, and keep the player up to date about the latest gossip.^^Female characters can also marry -- but they should keep in mind that Westerosi society is very traditional, and, as adventurers, they have chosen a very unconventional path for a woman. A female character may have to look for a while to find a lord who is open-minded enough to marry her.^^On the bright side, a female character does not have to go through the elaborate rituals of courtship, and she also may gain more from a marriage than her male counterpart. For a woman adventurer, marriage can be a quick path to power -- and an unscrupulous character may be able to use her husband as a tool of her political ambitions. ip_politics|Politics ip_politics_text|The continents of Westeros and Essos, although they represent different cultures, all adhere to the same basic political system feudalism. Feudalism is based on the relationships between individuals the oaths of loyalty given by a vassal to his or her liege. In exchange for this oath, the vassal will usually receive a fief, a parcel of land whose income will be used by the vassal to raise troops to support the liege in time of war. A liege also has an obligation to protect his vassals, and to treat them justly.^^This is how it works in theory, anyway. In practice, vassals will not always work in their factions' interests, particular as they are often quarrelling with one another. Nobles have different personalities, and sometimes those personalities clash. Or, perhaps two nobles were once friends, but fell out over in the aftermath of a setback or a defeat -- or because they both were wooing the same lady. Jealousies will also surface as they vie for the favour of the king -- perhaps over newly conquered lands, or over who will be given the coveted office of marshal, the lord in charge of organizing large-scale campaigns.^^When one realm in Westeros and Essos makes war on another, the political unity of the each kingdom is as important as the quality or number of its soldiers in determining the outcome. In a cohesive kingdom, nobles will join together in a large force to sweep their opponents before them. In a kingdom divided by petty quarrels, lords will fail to respond to the marshal's summons, or drift away to attend to their own business if a campaign is not going well. A faction's political cohesion will also impact warfare when campaigns are not in progress. In a divided faction, lords will be less likely to join together on raids and patrols, and come to each other's defence.^^If it seems self-defeating for nobles to bicker and quarrel when the enemy is just over the horizon, keep this in mind -- ultimately, a nobles loyalty goes not to a particular faction or culture, but to himself and to his family. If a noble fears that his faction is collapsing, or if he is being neglected by his liege, he can usually find a reason to withdraw his oath of allegiance, and change sides. Players should keep this in mind, as they may find that there are opportunities to turn discontented former enemies into allies. ip_character_backgrounds|Character Backgrounds ip_character_backgrounds_text|A player character in Westeros and Essos may choose to come from a variety of social backgrounds. This choice will affect not just his or her starting skills and equipment, but also the course of his or her career as an adventurer.^^War and politics in Westeros and Essos are traditionally dominated by male aristocrats. A nobleman player character may find that he is invited into this 'old boys' club' fairly quickly, but women and commoners may face a few extra hurdles on the way. If you choose to start the game as a male nobleman, you can think of it as the 'easy' setting. Starting as a noblewoman or a male commoner is somewhat more difficult, and starting as a female commoner is probably the most challenging way to begin a game.^^However, women have some starting advantages. Simply by taking up arms, a female warrior will draw attention to herself, and she may find that she can build up her reputation faster than a male. Also, it is traditionally easier for a woman to marry up the social ladder than it is for a man, and a woman may find she can gain more from a strategic marital alliance than her male counterpart.^^Finally, keep in mind that the game does not place any limits on the upward mobility of characters based on their background. Noble or common, male or female, married or unmarried -- anyone can rise to become ruler of all Westeros and Essos, if they are sufficiently brave, lucky, or resourceful. ip_military_campaigns|Military Campaigns ip_military_campaigns_text|When kingdoms in Westeros and Essos go to war, their armies have two basic offensive options. They can try to attack villages and lay waste to the countryside, damaging their enemy's prestige and economy. Or, they can try to seize and hold castles or towns, taking territory This second option can involve long, bloody sieges, but will yield more decisive results.^^It is important to note that the realms of Westeros and most of Essos do not field standing armies, which remain in the field as long as the ruler desires. Rather, these realms are protected by feudal levies comprised of the major nobles and their individual retinues. Sometimes, these nobles launch their own private attacks into enemy territory, but the most decisive events will usually take place when the great hosts are assembled. The kingdom's marshal, a noble appointed by the king, will summon the host before the campaign and lead them out to battle. However, he should be careful not to keep them in the field too long. Otherwise, the host will begin to disintegrate, as the vassals drift off to pursue their own business, and the army will be vulnerable to a counter-attack.^^For this reason, the rhythm of wars in Westeros and Essos often resemble the rhythm of a duel between two individual combatants. One side will gather its strength and seek to land a blow against the enemy's territory. If the marshal spends too little time gathering the vassals, he may not be able to do any real damage. If he spends too much time, then the campaign may end before it has even begun. A large realm will have an advantage over a smaller one, just as a brawny combatant has an edge over a smaller foe, but a realm's political cohesion can also be a factor, just as a fighter with great stamina can outlast her opponent. Sometimes, the armies of two realms will meet head on, resulting in a major battle in which both numbers and morale will decide the outcome.^^Kingdoms will have imperfect intelligence about their enemies. Attacking lords will need to frequently scout enemy territory to determine which fortresses may be vulnerable. An army defending its homeland will benefit from the alarms raised by castles and towns, which broadcast intelligence about enemy movements in the area. Such intelligence will be imprecise, however, particularly when it comes to numbers. A defending force which sets out to raise a siege or rescue a village may be able to overwhelm an unprepared attacker -- or it may miscalculate, and find that it is the one to be overwhelmed. Attackers, in turn, must be careful how far they advance into enemy territory, with aggressive marshals venturing further than cautious ones.^^Players will be expected to join in their faction's military campaign, either by joining the host, or by scouting ahead into enemy territory. Some players may find that their realm's marshal is too cautious, or too aggressive, for their tastes. In this case, they can intrigue with other lords to try to replace the marshal, or build support to become the marshal themselves.^^Most wars are of limited duration. A king who goes to war will, for the sake of honour, feel obligated to pursue the conflict for a short while. However, unless he is soundly beating his enemy. he may soon start looking for a way out of the conflict, lest he leave himself vulnerable to an attack by a third party. Westeros and Essos rulers are keenly aware that today's ally may be tomorrow's enemy, and vice versa. ip_prisioner_system|Prisoner System ip_prisioner_system_text|The skill 'prisoner management' has been removed from A World of Ice and Fire, as it seems unrealistic to manage the number of prisoners in terms of a skill. In A World of Ice and Fire the number of prisoners that the player can have depends on the size of his/her army. That is, the more troops able to keep guard, the more prisoners it can carry. ip_ambush|Ambush ip_ambush_text|The ambushing skill allows you to set up ambushes.^ From the camp game menu, choose to set up an ambush. You will be told the current nature of your ambush, and if you are attacked, you will have the choice to launch the ambush.^ Ambushes can have devastating positive or negative effects. ip_sneaking|Sneaking ip_sneaking_text|The sneaking skill allows you to sneak. From the camp game menu, choose to sneak. Sneaking will reduce your speed.^^However, if you are the attacker, you might have, according to you sneaking check, some combat bonus (but not as great as you would have for an ambush). ip_entrenchment|Camp Entrenchment ip_entrenchment_text|When your army sets up camp for the night, you are given the option to entrench your camp site. An entrenched camp site is a temporarily fortified position using terrain and pickets as a defensive barrier. Armies composed mostly of cavalry units will get little benefit from entrenching. Armies comprised mostly of foot soldiers will find that entrenchment will give them a significant advantage over cavalry units. Soldiers very much dislike digging holes and planting pickets, so you will suffer a small morale penalty when choosing this option.^^If you choose not to entrench your camp site, you will be at a disadvantage if attacked while camping. Your camp may be over run and plundered. Items in your inventory may be looted or destroyed in the battle. An entrenchment that has not been over run receives the benefit of multiple ammunition reloads for the troops. A normal camp site gets no such benefit.^^In order to entrench your position you will need tools, time, and skill. Tools can be purchased at many of the towns within the Known World, and one set must be in your inventory in order to entrench. The time required to entrench is based upon the number of soldiers in your army and your parties skill in engineering. A small band of warriors with no skill in engineering will take days to entrench a camp site. An army of 30 or more with a few points in engineering can accomplish this in just a few hours.^^When you complete the entrenchment, a circle of pickets will surround your camp. This entrenchment will remain in place for approximately three days after leaving the entrenchment. You can leave and return to the entrenchment during this time without having to do any more digging or planting of pickets, thus avoiding any morale penalty. This makes an entrenched site an excellent base of operations for sieges or incursions into enemy territory. ip_siege_warfare|Siege Warfare ip_siege_warfare_text| One of the things missed in Warband was completely realistic siege warfare. A World of Ice and Fire exploits this to the fullest. Now when the player besieges a settlement two paths can be taken to subjugate the place by debilitation (hunger, diseases ...) and by assault.^^In the first case, the player's mission is to encircle the settlement (you need 200 or more men) and prevent it from receiving supplies or reinforcements. At the same time various actions can be performed to undermine morale, spread disease or destroy food reserves of the settlement. This type of action will take longer, but also prevent a large number of casualties.^^In the second case direct action is taken, provided assault equipment is available (ladders, battering ram, ramps, mantlets ...) or offensive actions (wearing down the defenders, burning their houses and walls ...). This is when the player feels ready to launch a full-scale assault to conquer the settlement. This type of action has the advantage that the place can be vanquished in a short amount of time, but usually at a very high cost of lives.^^In addition to the above, a new system of assault involving both types of siege tactics is also available. When the settlement has a port, the player may equip a fleet and block the port. The player can then choose to continue the siege until the surrender by debilitation, or lead an assault by sea.^^The complexity and characteristics of the new siege system is long, and the best thing is to discover and develop strategies for yourself. Welcome to Realistic Siege Warfare. ip_sea_travel|Sea Travel ip_sea_travel_text|Ferries at various harbours on the world map transport your party between two stations. While this is cheap when your party is small, it becomes more expensive with party size.^^To travel longer distances on the sea, one may travel from one port town to another. This can be initiated from the town menu or by talking to the shipwright in the port part of the town scene. Similar to ferries, this service becomes more expensive with party size.^^Once you have your own ship, you may embark from the port it is in by clicking on 'Sail from port' in the town menu. You will return to the map, but this time at sea on your ship. Sea travel then works much like land travel.^^There are two different ways to get back on land. You can either click on a port or use a landing point. To find a landing point, travel closely along the coast or right click on your party and select 'find closest landing point.' As with ports, click on the landing point to disembark. In either case, your ships will remain at the position where you landed.^^If your party's size is greater than the capacity of your ships, you won't be able to embark. In this case, you can establish troop quarters (Camp menu) at your current position and another troop quarters at your target position, then transport your army step by step between both quarters.^^When travelling by sea on the campaign map, you can always check the current weather. After clicking on the 'Camp' button, current conditions are shown on the left side. If the weather conditions change, you will be notified by a message in the lower left corner of the screen.^^On the one hand, windy weather is good for the speed of your ships on the campaign map and in sea battles. On the other hand, the chance that it will damage your ships also increases. Damage worsens the condition of a ship, slowing it or even destroying when the condition reaches 'Dangerous.' You may check the conditions of your ships by clicking on 'Camp' and then on 'Fleet.'^^Finally, the weather also determines the behaviour of ships in battle. This can always be checked beforehand by clicking 'Camp' and then on 'Check location.'^^Sea travel is dangerous and can lower the morale of your troops. When this happens, you will be notified by a message. Troops especially dislike spending the night on the water. Therefore, consider plotting your route to make landfall by night. If morale on the sea gets too low, troops may mutiny. This ca be somewhat reversed if the player chooses Ironborn as his culture when he created his character.^^Some troops like Sailors and certain Ironborn troops are experienced seamen and will increase the travel speed of your ships on the campaign map. You can check the effect on the left side of the camp menu.^^If there is more than one ship in your fleet, the speed of the fleet is determined by its slowest ship. However, as soon as you have more than one ship in your fleet, you can split the fleet. To do so, travel close to a shore. Then click on 'Camp', 'Fleet' and finally on 'Leave ship at shore' to leave the slower ship(s) there. To bring ships together again, one needs to bring them all to a port. To get a overview of all your ships at their location, click on 'Character' and then on 'Ships.' ip_sea_battle|Sea Battle ip_sea_battle_text|At some point after starting to travel on the sea, you will participate in a naval battle.^^First of all, you need to know how to control your ship. You can give the command to row forward, fast forward, backwards, or stay. The up and down arrow keys switch between these commands. You can also give the command to go straight, starboard, hard starboard, port or hard port. The left and right arrow keys switch between these commands.^^Current commands are represented by arrows around the representation of your ship in the upper right corner. Press Enter to set the sail and Backspace to get a tactical view of the scene. Try these commands to get a feeling for steering a ship and the effect of the wind.^^As soon as you get close enough to an enemy ship, boarding will commence. The ships are lashed together and the fight starts.^If you are lucky, you may capture the enemy flagship after winning the fight.^^In a sea battle where you have several ships, you can give a 'stand ground' or 'charge' command to your ships, which are assigned to the ninth 'division.' The first troops in your army list will be together with you on the flagship. The other troops will be in the remaining ships. One can change one's flagship in a port or while camping on the sea.^^With a reasonably large fleet, one may attack towns from their sea sides. To do so, simply click on the enemy port town and you will have option to attack it once you reach it without first disembarking. ip_ship_info|Ships ip_ship_info_text|Sooner or later, you'll want to invest in a ship. There are several reasons to do this. Over the long term, it is the cheapest form of sea travel. It gives you complete freedom in movement on the sea. It opens new opportunities for trading and raiding.^^On the other hand, there are downsides. First of all, a ship is expensive, and you will have to save up some money to afford one. Furthermore, a ship can carry only a limited amount of troops.^^Another important consideration is speed. With a faster ship, you will more successfully catch or flee from other ships. The speed of a ship is determined by its type and condition.^^Finally the wood used for ship construction affects its durability. While ships made of oak wood are very durable, ships made of Ash wood need to be repaired more often.^^When you feel ready to buy a ship, click on 'See the ships' in the town menu of a port town or talk to the shipwright. Port towns can have up to three ships for sale, but sometimes none are available. The type and amount of ships offered changes over time. To see your ship, you can click on 'See the ships' in the town menu or walk to its pier.^^In a port, one may customize the sail of a ship or paint any ship made of oak. There is one special sail which is reserved for the ships of the player. It can be changed with a dedicated graphic editor. For further information, see the 'Your Custom Sails' folder among the files of this mod.^^Once you have a ship, the shipwright will interact with you in a different way and won't hesitate to offer advice. Shipwrights also offer to custom build ships. Better ships may require special materials that you will need to obtain and bring with you. Better ships also require more time for their construction and the more talented shipwrights in Ironborn ports. The first seven ships you have built can be named freely in the ship customization menu.^ ip_wounds|Wounds ip_wounds_text|The player may receive specific, debilitating wounds in battle. Maesters in larger towns will treat these wounds for a price, after which they will heal within a few days. Any negative effects will then be removed.^^If a wound is not treated after some time, it will change to a scar, and the negative effects will then become permanent. ip_skills|Skills and Attributes ip_skills_text|When creating or developing a character in A World of Ice and Fire, one has to pay attention to the many skills and attributes. Skills like persuasion and leadership are essential for trading, wages, lord and lady interaction, and forced conversion. Attributes such as intelligence and charisma are also essential in these activities, but will also affect your ability to marry or lead people.^^There are three important skills for the sea 'Sailing Master,' 'Navigation' and 'Looting.'^^One's Sailing Master level determines the amount of ships one can command. Level one allows up to two ships. Seven ships are the maximum at the Sailing Master level of four.^^The Navigation skill allows one to travel faster on the sea. It is the naval equivalent of the Pathfinding skill on land (which, by the way, will not help on the sea).^^A higher Looting skill results in a higher chance of capturing enemy ships.^ ip_division_placement|Division Placement ip_division_placement_text|When ONE division is selected, the centre of its front rank is placed at the spot indicated.^^When MANY divisions are selected, they are separated and spread out as if the player were standing at the spot indicated.^^One may memorize the placement of selected divisions relative to the player by pressing F2, F7. Default is infantry to the left, cavalry right, and ranged forward. Placement is overridden for any division the player chooses to personally head through the Formations Options menu.^^If the camp menu game option is set, divisions will rotate to face the enemy. Otherwise, they will maintain the facing that the player had when they were placed. ip_AWoIaF_formations|Battle Keys and Orders ip_AWoIaF_formations_text|Advanced Formations active with F4 in Battle, then ^F4 - Form ranks - with best troops up front,^F7 - Form square - no particular order,^F5 - Form shield wall - ranks with shields in front and longer weapons in back,^F6 - Form wedge - with best troops up front,^F8 - Break any current formation,^^- NO FORMATION^^Even in the last case, the player can make formations up to four lines by ordering Stand Closer enough times.^Memorize Division Placement and Formation active with F2 in Battle, then ^F7 - Memorize relative position to player and formation,^F8 - Revert to default relative position to player and formation,^^Orders active with F5 in Battle, then ^F5 or Key Z - Order 'use onehand weapons',^F6 or Key T - Order 'use twohands and polearms weapons',^F7 or Key N - Order 'use ranged weapons',^F8 or Key O - Order 'don't use shields',^^Hold-F1 on an enemy division - and the divisions you have selected will attack it,^^Others ^key U - Battlecry (encourage your wounded troop's) - You need to have the 'Natural Leader' trait,^key B - Warcry (scare away enemies surrounding you) - You need to have the 'Warrior' trait,^key T - Use Fire arrows (your troops will light their arrows. Used for sieges and ship battles only),^Key H - Use to call your horse in battle,^key F6 - Skirmish order (your troops avoid the enemy, moving away as the enemy approaches),^key F9 - Order beginning or ending volley fire for archers,^Right Click + Left Click - Shield Bash. ip_wolf_companion|Wolf/Dog Companion ip_wolf_companion_text|On the battlefield, your wolf/dog is placed in division 9. The skills and abilities of your wolf/dog companion can be improved by giving him good food. ip_quarters|Quarters ip_quarters_text|Quarters allow you leave some of your troops at a particular location on the map. You can have up to two quarters.^^There are several scenarios which make quarters useful ^- If you need to travel on a boat, but you can't afford to pay passage for all your troops^- If the capacity of your fleet isn't big enough to transport all your troops at the same time^- If you want to sneak into a town^- If you want to travel faster over the world map ip_special_troops|Special Troops ip_special_troops_text|There are various special troops in A World of Ice and Fire that allow you to reap extra stats depending on the amount you have in your party.^^Below you can see the number needed ^^Hornmen^1+ = + 1 tactics^10+ = + 2 tactics^30+ = + 3 tactics^^Standard Bearers^1+ = + 1 leadership^10+ = + 2 leadership^30+ = + 3 leadership^^Religious Troops^1+ = + 1 surgery^10+ = + 2 surgery^30+ = + 3 surgery^^Vet Ironborn Reaver^5+ = + 1 looting^10+ = + 2 looting^40+ = + 3 looting^^Shepherd^1+ = + 1 foraging^10+ = + 2 foraging^30+ = + 3 foraging^^Unsullied^10+ = + 1 tactics^30+ = + 2 tactics^100+ = + 3 tactics^^Spy^5+ = + 1 spotting^10+ = + 2 spotting ip_wiki_and_forums|A World of Ice and Fire Wiki and Forums ip_wiki_and_forums_text|Don't forget to visit our wiki and forums for further information on this mod^- Forums https //www.aworldoficeandfire.co.uk/forum^- Wiki https //aworldoficeandfire.co.uk/wiki^- Patreon Page https //www.patreon.com/awoiaf^- Twitter @therealproduno^- YouTube https //www.youtube.com/user/produno^- ModDB Page https //www.moddb.com/mods/a-world-of-ice-and-fire ip_credits|Credits ip_credits_text|Please visit https //aworldoficeandfire.co.uk/wiki/index.php/Credits to see a full list of credits.